图片文件尺寸 : 6133 x 4693px
《芬兰湾》作者:YrjöOllila-Yrjö Ollila
Gulf of Finland--Yrjö Ollila (芬兰, 1887-1932)
图片文件尺寸 : 6133 x 4693px
《芬兰湾》作者:YrjöOllila-Yrjö Ollila
Gulf of Finland--Yrjö Ollila (芬兰, 1887-1932)
图片文件尺寸 : 4000 x 3551px
Konrad Krzyżanowski《芬兰的云》-Konrad Krzyżanowski
Clouds in Finland--Konrad Krzyżanowski (波兰, 1872-1922)
图片文件尺寸 : 3890 x 3013px
亚历山大·劳雷乌斯的《芬兰的农民舞蹈》-Alexander Lauréus
A Peasant Dance In Finland--Alexander Lauréus (芬兰, 1783 – 1823)
图片文件尺寸 : 2392 x 1727px
扬·奇·格林斯基的《伊玛特拉之夜——芬兰》-Jan Ciągliński
Imatra in the evening – Finland--Jan Ciągliński (波兰, 1858 - 1913)
图片文件尺寸 : 2316 x 2997px
阿尔伯特·尼古拉耶维奇·贝努瓦的《芬兰的风景》-Albert Nikolaevich Benois
A Landscape in Finland--Albert Nikolaevich Benois (俄罗斯, 1852-1936)
图片文件尺寸 : 2314 x 1787px
《森林——芬兰》,作者:Jan Ciągliński-Jan Ciągliński
Forest – Finland--Jan Ciągliński (波兰, 1858 - 1913)
图片文件尺寸 : 2374 x 1887px
Jan Ciągliński的《Terioki–芬兰》-Jan Ciągliński
Terioki – Finland--Jan Ciągliński (波兰, 1858 - 1913)
图片文件尺寸 : 2398 x 1840px
《梅里奥基–芬兰》,作者:Jan Ciągliński-Jan Ciągliński
Merioki – Finland--Jan Ciągliński (波兰, 1858 - 1913)
Hani Rashid, Lise Anne Couture. Wing House, Helsinki, Finland. 2011
Hani Rashid,Lise Anne Couture。芬兰赫尔辛基Wing House酒店。2011-
图片文件尺寸 : 3086 x 2079px
阿尔伯特·尼古拉耶维奇·贝努瓦《芬兰湾的日落》-Albert Nikolaevich Benois
Sunset on the Gulf of Finland--Albert Nikolaevich Benois (俄罗斯, 1852-1936)
图片文件尺寸 : 2404 x 1743px
《清晨的伊玛特拉——芬兰》(Jan Ciągliński)-Jan Ciągliński
Imatra in the morning – Finland--Jan Ciągliński (波兰, 1858 - 1913)
图片文件尺寸 : 2254 x 1834px
Konrad Krzyżanowski《芬兰的风景》-Konrad Krzyżanowski
芬兰景观--Konrad Krzyżanowski (波兰, 1872-1922)
图片文件尺寸 : 2928 x 1781px
Jan Ciągliński《芬兰的风景》-Jan Ciągliński
芬兰景观--Jan Ciągliński (波兰, 1858 - 1913)
Valerio Adami,当代艺术I-
Valerio Adami * - Zeitgenössische Kunst I-
(born in Bologna in 1935)
The Guggenheim, 1968, dated, signed and titled on the reverse, oil on canvas, 97 x 130 cm, framed
This work is registered in the Archivio Valerio Adami
This work is accompanied by a certificate signed by the artist
Provenance:
Sale Farsetti, Prato, 26 November 1994
European Private Collection
As Valerio Adami wrote in 1968, “The hand is a kind of seismograph giving body to the traces left by the circuit of imagination”: the drawing hand is an instrument that records what the eye looks at and the mind sees. It is the starting point of the artist’s method: the hand-seismograph that in the “journey of drawing” goes through the kaleidoscope of his inspiration, and that in the essentiality of the line reworks, summarizes, juxtaposes, disassembles and reassembles it. […]
The lines of the drawing, eternally moving as the mind distilling them, - since for Adami “nulla dies sine linea” (no day without a line) – are the “off the beaten track” trails that the artist constantly crosses and connects. He does so by bringing distant worlds together, from the Ganges to the Matterhorn and from Paris to Finland by making the Greek mythological narrative coexist with New York street life, by recalling the light spells of Lake Maggiore or the clouds at sunrise.
(G. Ranzi, Valerio Adami and the lightly swaying desire, in “Valerio Adami. Immagine e pensiero”, Dep Art, Milan 2002)